
.,~`'`~,.,~`'`~,.,~`'`~,.,~`'`~,.,~`'`~,.
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SIXTH CHORDS
(sym.-A6,D6,etc...)
l-3-5+6th tone
Building the "sixth" chord is kind of
like the maj. 7th, but instead of the 7th
tone, the 6th tone is "added".
Using the B maj. root let's build a B 6th.
The root for a B 6th, according to
the 1-3-5 structure found on the numbers chart, are the note's B-D#-F#.
If the 6th tone is added, a B6 has the
note's B-D#-F#-G#, G# being the 6th tone.
An A6th chord would have the root notes A-C#-E-F#,
F# being the 6th tone.
AUGMENTED CHORDS
(sym.-B+,D+,etc...)
1-3-5/ #5th tone
Augmented chords are fairly simple to do,
because all you need are the root note's,1-3-5.
The numbers chart reads to "sharp the 5th tone",
or raise it a half-step.
For a C maj. to become a C augmented,
using the note's C-E-G, the G has to be raised
a half-step to G#.
A C aug. has the note's C-E-G#.
An F aug. would be F-A-C#, after the "5th"
is raised a half-step or sharped.
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